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National endowment for the arts funding

Ludwig van Beethoven’s “Für Elise” provides us with the first example of a minor second, and it can be found in the first “seconds” of the piece — in other words, the first two notes are a descending minor second apart.

When we apply the Dorian mode to blues music (and by extension, rock ‘n’ roll), we begin to explore some really exciting implications. The Dorian mode and minor pentatonic scales share these common scale degrees: 1  ♭3  4  5  ♭7.

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