“Finesse” (Remix): Cardi B drops herself into this remix in a relatively extended intro. There’s also a pre-chorus, as well as a fake-out bridge which I’m going to call a “pre-bridge” (P2). My favorite part of this section, this song, and maybe this entire study in general, is that just when you think the whole thing is going to be done over the three-chord loop of♭VI V i, they throw in a ♭vii to ♭III turnaround, or, for the functionally minded, a “ii V I” that resolves back to D♭. This tonal trick, as well as the extensions and voicings, are really typical of the era they’re harkening back to in the video. Super clever.
Angela Mastrogiacomo is the founder of Muddy Paw PR, where her artists have seen placement on Alternative Press, Spotify, Noisey, Substream, and more, as well as the Director of Community and Events for Music Launch Co. Her free training ‘Reaching a Wider Audience Without Spending A Dime’ helps emerging artists cut through the noise and get in front of fans and industry influencers in just a few steps. She loves baked goods, a good book, and hanging with her dog Sawyer.
With a robust membership of over 725,000 composers, ASCAP is the only American PRO owned and operated by its members. It distributed $1.109 billion in royalties in 2018.
In 1972, John Fogerty left Creedence Clearwater Revival and their label, Fantasy Records. After he released his hit solo album Centerfield (1985), label head Saul Zaentz of Fantasy Records sued Fogerty for plagiarizing himself. Zaentz claimed that the single “The Old Man Down the Road” infringed upon “Run Through the Jungle,” a song that he had originally recorded with CCR under contract with Fantasy Records in 1970. Though he was not found guilty, it’s pretty novel that Fogerty was sued for sounding too much like himself!