Over our C minor chord, we get a triplet figure of all B♭s, making the chord a C minor 7. This is followed by the use of a passing tone (Ab) to get from the 7th to the 5th. Finally, over the B♭, we have an F (the fifth of the chord), moving to a G (the 13th, another tension).
Jazz amps need to produce an absolutely crystal clear sound. While of course many jazz guitar players use a lot of gain, the most important attribute is that clear tone. The clarity of a solid state or combo amp might give you an edge. That said, tube amps tend to produce more internal noise, so you might have a difficult time achieving the specific guitar tone you want. On the other hand, solid state amps are usually a bit more “transparent” when it comes to signal.
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Erik Veach is the owner and lead audio engineer at Crazy Daisy Productions, providing mixing, mastering, and sound editing services since 2001. He is the original pioneer of automated intelligent mastering systems, introducing them for use in professional music production in 2003.