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Note how Ligeti starts from a very low register, at a very quiet dynamic (pianissimo) and with staccato articulation (0:24). The pedal in the left hand forms gradually from a fragmented rhythm until it unfolds in a continuous stream of staccato eighth notes (0:42). Superimposed on this low A pedal is a rhythmic motif in the right hand (0:46). Ligeti shows here great mastery in rhythmic variation. This rhythmic fragment is created by accumulation and extension of a first cell which is elongated and then further fragmented in this fashion.
His yodeling obsession was accompanied by a love of obscure stringed instruments like the zither and hammered dulcimer, both of which he taught himself as a child. In his teens, Ischi taught himself to yodel by listening to Franzl Lang records and imitating what he heard. In case you aren’t familiar, Lang is one of yodeling’s most revered figures and is widely known as the “Yodel King.”
Dub music producers like King Tubby and Lee “Scratch” Perry played the Space Echo almost as if it were its own instrument. On Augustus Pablo’s song “555 Dub Street,” Lee Perry uses the Space Echo on the melodica and turns what most consider a harsh, uninviting instrument into something lush and layered.
List of 90s hip hop artists
Improve your composition, arranging, and writing with this collection of Soundfly articles full of tips and resources on music composition. For more help, check out Soundfly’s course, Introduction to the Composer’s Craft.
“Enjoy over 40 pages of Taylor Swift coloring pages, starring some of her most famous poses and moments, including her glamorous Met Gala outfit, snapshots from her ‘Shake It Off’ video, and much more. Taylor Swift: The Ultimate Coloring Book is the perfect Christmas gift for any avid Taylor Swift fan. Suitable for ages 6+.”
In a nutshell, mastering incorporates all of the audio work done on the master output from a mixed song or album. While originally intended as the mechanical preparation step for putting music into its final media format for playback, mastering later began to include additional post-mixing audio enhancement work in order to optimize the sound specifically for the various intended playback formats (ex: vinyl, CD, digital, etc.).
It’s always good to try to find ways to reengage with your collaborators even if they live elsewhere — developing and maintaining a network of home recording cowriters and musicians you can hit up is a very valuable musical practice. So last Friday, I shot him a text asking if he could track something for me by Sunday. I had a flawless solo take and some background parts less than two hours later.
Remember above when we identified that Houston uses the notes 1, 3, and 5 more in the chorus than the verse? Those notes are hierarchically more important, and so they appear in the most important section of a song: the chorus. The chorus is hierarchically more important from a structural standpoint, so part of the reason this song is so effective at creating a memorable musical experience is that it joins predictable notes with their predictable placement in the song.
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“Drip Too Hard”: They double the choruses and end the second verse with some title/refrain stuff. Hey, you know, one trend that I’d like to call cemented this year is that song form is becoming more and more lyric based. As songs are increasingly built around one single loop phrase, you have to base their form off of something, so it might as well be words. Because it used to be that the chorus, verse, and bridge would all have different chord changes, which would help determine the form. That’s just no longer so.
As a general rule, I think comparing your work to other artists can be a pretty unhealthy practice, especially if you have a competitive mentality. But when it comes to duplicating marketing activities and online strategies, learning from them and their tests mean that you aren’t always starting from scratch.
“Having an instructor who provided assignment goals that were based on the specific items I wanted to improve with my songwriting, as well as the direct feedback that came with it was hugely helpful. The other element I like was being challenged to finish within deadlines and having accountability — usually when I’m working on things on my own, I tend to get self-critical and shelve things before they’re completed. With this, you have to minimize your level of self-filtering and judgment, trust your instincts, and get things done.” — Colin (Student Artist)
Oh! And look up over there on the right. I’m very excited to share with you a new statistic I collected this year. Would you believe that 22 songs out of 40 were based off of just one single loop only (loop variations allowed)? That’s more than half. You may now commence to argue over how uncreative music is these days, or over how Einstein really did prove that “less is more.”
Rob Lanterman is a writer, musician, and record label owner from Boise, ID. He enjoys writing about how aspects of punk rock and DIY have informed all areas of his life, as well as his own experience touring, writing, recording, and being a label owner.