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Unfortunately, this means they’ve swung to the other extreme: They’ve become very reluctant and skeptical about lending to anyone that falls outside “the norm.” Working with a team that knows the ins and outs of the music industry can change that.
Before founding my current project Madam West, I played and sang solo with my ukulele, usually in reaction to some breakup I was still bitter over. I referred to myself as a singer-songwriter, a term which tends to conjure up an image of a lovelorn twentysomething strumming an acoustic instrument in cowboy boots (which, in my case, was totally spot-on). In the past few years, I’ve come to redefine and expand my own definition of a songwriter. I’ve been lucky enough to meet a plethora of songwriters who push the limits of that stereotype. In addition to singing or playing an instrument, some do their own composing and full band arranging, while others write electronically, producing and/or engineering from home studios. In celebration of Soundfly’s #SongwritingWeek, here is a calendar of great local NYC songwriters to check out:
The most important thing to bear in mind is that when you’re working with a mix, you’re dealing with a multitude of complex and interconnected phase relationships. EQ that kick drum and you are changing its phase relationship to other sounds appearing in the mix. Hopefully it’s not audible (or at least still sounds good), but it is there.
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Why? Often, a lack of empathy for the audiences that support us or the venues that host us is partly to blame. If you’re enthusiastically writing venues in your city but never getting responses, don’t get upset about it — just make an effort to think about the reasons why this could be the case. Are you targeting venues too large and established? Are your recorded demos not good enough to showcase your talent and sound, or do you not even have demos to begin with? (If so, you should rectify that.) Are you sure you’re not making any avoidable spelling, grammar, or colloquial linguistic errors in your booking emails?
Getting a space prepped for a recording session takes a considerable amount of time. If you’re recording clients, or guest musicians, or just helping out a friend, always try to ask for a specific tech plot in advance so you can plan accordingly. There’s nothing that will suck the inspiration and energy right out of the room more than waiting around to set up mics and inputs when the musicians are already done setting up their gear.
Finally, don’t be afraid to offer free tickets and put media contacts on the guest list. Even if they don’t cover this specific show, they might write a review about the show and you could end up on their radar for future events. And speaking of ticket giveaways.
Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here’s just a few free courses you can choose from: Music Theory for Bedroom Producers, Touring on a Shoestring, How to Get All the Royalties You Never Knew Existed, and our partnered course with Bandzoogle, How to Create a Killer Musician Website.
Further, consider the saturated market of cheap digital music distribution companies and the recent news about Spotify accepting direct artist uploads. What does all of this mean for the music industry, and how will it determine your strategy as a creator? One paradigm shift is clear and necessary: Producers are also songwriters. Therefore, securing music publishing rights as a producer can drive your business.
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You say that your API could save Spotify and Pandora millions per year. Why is that?
I’m serious. No matter how cold it is, if you find a creek or a lake or a river (and it’s clean, of course,) jump into it. It’s good for your circulation and your immune system, and it feels like a reset.
Pretty much just a giant collection of songs and mixtapes to stream, based off a rating system similar to Rotten Tomatoes, Dat Piff is your go-to if you really don’t want all the fluff, and you just want to get to the part where you’re streaming thousands of new tracks.
The ancient Greeks figured out that if you have a bunch of strings, it sounds really good if you tune them according to the frequency ratios you get from the natural overtone series. In such tuning systems, you get all your notes by picking a starting frequency, and then multiplying or dividing it by whole numbers. The good-sounding (to Western people) note combinations are the ones derived from the lowest harmonics — the ones that have you multiplying or dividing by the smallest prime factors: two, three, and five.
There are many more harmonics (infinitely many more, in theory) but these first five are the most audible ones, and they’re the only ones you need in order to build yourself a versatile tuning system.