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55 years ago today, the Rolling Stones released their “5×5” EP, the recording session in which they serendipitously met their blues idol, Muddy Waters.
However, adding a little bit of lemon to your water can promote clear, healthy singing, because it’s a natural mucolytic, which helps your body produce thin mucus.
That means no initial investment is needed, there’s no financial risk, no obligation (they can use their own partners), and artists and label keep 100% control over their intellectual property!
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All of the notes above Fret 12 on any string are just repetitions of the same notes, an octave above (for example, Fret 14 on the 6th string is an F#, an octave above the same note on Fret 2 on the same string). Therefore, we can simply subtract 12 from the fret number and proceed repeating the same process we have discussed until now.
Spitfire Audio Labs is a software instrument made by musicians in London. The company releases new digital instruments every month, so you can continue to build your collection of sounds. The instruments are created with samples from keyboards, strings, guitars, and synthesizers. A lot of the sounds have a very cinematic tone to them, but they can be used in other capacities by adjusting the simple sliders on the plugin that control their expression and dynamics. The large dial in the center controls variations such as reverb, attack, decay, sustain, and release.
For the same reasons, isolation boxes are great options for home recording as well. With a well-constructed isolation box, you don’t need to manage the acoustics of your room (or closet, or bathroom, or stairwell — wherever you’re capturing the signal from your amp) to guarantee an excellent recording of your electric guitar performance.
Okay, how about A? The interval between F and A, called a major third, is the same as the one between C and E. So we can go up a major third from F by multiplying 4/3 by 5/4 to get an A at 5/3 Hz. Alternatively, A is a perfect fifth above D, so we could just as easily multiply 9/8 by 3/2 to get… uh oh… 27/16 Hz. This is a problem. While 5/3 and 27/16 are pretty close to each other, they are not the same. Which one of these should we use? We’d ideally want the interval between D and A to be a perfect fifth (a multiple of 3/2), but if A is at 5/3 Hz, then it’ll clash pretty horribly with D at 9/8 Hz. On the other hand, we’d expect the interval between A to E to be a perfect fifth too. But if we go up a fifth from 27/16 Hz, we get 81/32 Hz, and if we move that down an octave to 81/64 Hz, we’ll be pretty close to E at 5/4 Hz, but not close enough.
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These questions are important. Hopefully this quick guide can help you pick out the right amp for your needs. And since you probably don’t live in an area with unlimited choice, we know it can sometimes be hard to find niche, small production amps and it’s usually quite expensive to buy vintage pieces. So we wanted to focus on amps that are largely available in music stores anywhere. This list features common guitar amplifiers and their “types,” if you find similar amps, replicas, or alternate versions or editions, those would all work great!
Inspiration may strike like lightning, but just about as frequently, so go out and find your own stories, ideas, characters, and narratives in these blogs!
One of my projects for this summer is to realize my decades-old ambition to learn how to scratch. I borrowed a Korg Kaoss DJ controller from a friend, downloaded Serato, and have been fumbling with it for a week now. The Kaoss DJ leaves much to be desired. The built-in Kaoss Pad is cool, but otherwise it’s too small and finicky. I will definitely want to upgrade to something with big, chunky buttons and more haptic feedback in general. Still, the Kaoss DJ is enough to get started with.
The fun part of this feature is that it allows you to do a little experimenting, and the real-time data analytics will help you formulate hypotheses and conclusions based on your results.
Mengyuan Xu is an electronic music artist from China who really leans into the musical aesthetic of traditional Chinese musical instrumentation. His heavy use of zithers and flutes gives his music a unique feel. I think it’s a really wonderful mix of old and new sounds to create something catchy and unique. A recent song of his, “Flame,” is more firmly rooted in the contemporary EDM pop sound, however it still has that Chinese opera influenced flavor that is undeniable.