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John Belushi struck up a relationship with Fear after becoming a quick fan seeing them on another TV show and commissioned them to write a song for the movie Neighbors. The band, however, wrote the song for Belushi himself to sing, which he recorded reluctantly. The movie’s producers refused to use it, but Belushi still wanted to do right by Fear, so he booked them on Saturday Night Live as the musical guest for the Halloween Special in 1981.

The first in our two-course series exclusively focused on mixing, Faders Up I: Modern Mix Techniques takes a macro-lens approach to the mix process, so you’ll get a well-rounded knowledge of every basic parameter used to create professional-sounding audio tracks, including referencing, panning, routing, signal flow, EQ, compression, reverb, and much more. You’ll also learn ear-training exercises to make sure you’re hearing your mix correctly and responsibly. Between the course work and mentor feedback, you’ll come away with priceless advice and insight on your personal mixing process.

The building block of serialism is the 12-tone “row” in which all chromatic notes are articulated in an order chosen by the composer. The row can then be developed in several different ways. For example, inversion flips the vertical structure of the row (an inverted row will descend if it ascended before); retrograde motion plays the row in reverse.

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What an incredible way to bring together the arts and the sciences. SETI Institute’s Artists in Residence program brings the two together through opportunities that welcome a range of artists whose work exhibits a direct relationship to the scientific interests of SETI Institute research, including those in electronic music, theater and dance, digital arts, and more.

Go find that hard drive, finish up your beats, and put them out! Try using a service like LANDR to master tracks at scale, and check out FreshTunes for free music distribution.

“Look Alive”: Aaand we’ve got more Drake. Aaand we’ve also got another somewhat subjective tonality. What we’ve got is three intervals, A and E (an A5 chord), A and D (D5/A), and B♭ and D (B♭ no fifth), and a bass line that adds an F in there (for a♭VI chord, arguably). There’s also no singing to help us establish tonality, and so I first heard it in D minor, but after repeated listening, I realized it was just my brain filling in gaps to meet my tonal bias. It would actually be truer to classify this as A Phrygian because with the A  F  D  B♭ bass line, and without any concrete triads, it’s best to leave it up to the musical scale that matches the sound, and the Phrygian scale here clicks better than anything else.

Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here are just a few free courses you can choose from: How to Create a Killer Musician Website, Theory for Bedroom Producers, How to Get All the Royalties You Never Knew Existed, and of course, Touring on a Shoestring. Here’s a snippet of what to expect on Soundfly. 

Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

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The Wu-Tang Clan will auction this handcrafted album off after an international museum listening tour, and bids are already coming in exceeding $5 million. This single copy is encased in a hand-carved silver and nickel-plated box, designed by the Moroccan artist Yahya and accompanied by ornate, artful gifts for the future owner, including a handmade leather-bound book, a custom engraved stamp with wax-seal, and various certificates of ownership dually signed by Artist and Purchaser.

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

Jamie Ehrenfeld is the founder of CORE Music NYC, an artist services agency incubating upcoming musicians and teams committed to community engagement. She has worked as a music educator with the featured programs at Eagle Academy for Young Men and City as School.

Ready to give it a shot? Tell us about yourself, and we’ll find you the right mentor. If you want to know more, just head over to the Headliners Club info page or feel free get in touch with us via email. Here’s a playlist we’ve created featuring all kinds of music created by our incredible Soundfly Mentor staff!

We followed these tips and we managed to capture eight complete songs, about five unformed ideas, and a couple experimental pieces that we’re probably going to end up using. All in about 8 hours. That’s definitely a personal best.