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+ Producing and mixing music at home? Check out Soundfly’s brand new mentored online course, Songwriting For Producers, to take all those unfinished ideas and transform them into fully fleshed out, compelling songs! Free preview here.
Erik Veach is the owner and lead audio engineer at Crazy Daisy Productions, providing mixing, mastering, and sound editing services since 2001. He is the original pioneer of automated intelligent mastering systems, introducing them for use in professional music production in 2003.
Some house show hosts will have to take a percentage of the door cut to cover their costs, but in most situations, it’s the performing artist who ends up with the lion’s share. Playing a big ol’ fancy venue might be an impressive thing for a burgeoning band to brag about, but with all the staff and overhead costs, the bands won’t earn any money unless they’re able to fill it. At a house show, you’re not expected to bring in hundreds — you can even make the gig free to attract more people and ask for donations.
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Exclusively on our Instagram account, we’ll be sharing videos and stories instructing some fun and modern aspects of home production. (By the way, we issue fun production and composition challenges every month, and follow them down the rabbit hole ourselves with you. Follow us to see what happens and join in!)
We followed these tips and we managed to capture eight complete songs, about five unformed ideas, and a couple experimental pieces that we’re probably going to end up using. All in about 8 hours. That’s definitely a personal best.
Another sticking point for us 1099 folks are deductions. Since we’re self-employed, we try to get as much back as we can come tax time. Maximizing our deductions just makes good sense. Why would you pay more in taxes than you have to?
But listen to it, and I mean REALLY listen to it. Does that C minor chord sound like home, or just a temporary passing chord on its way to the dominant? I respect those who feel differently, but my ears practically beg it to go to that E♭ and it doesn’t, which is why I dig it.
Explore our wide array of free online courses to expand your musical skills and gain a competitive edge on your lunch break! With free online courses such as Alternate Tunings for the Creative Guitarist, Touring on a Shoestring, How to Get All the Royalties You Never Knew Existed, and Digital Pedalboards with Kaki King, here’s what you can expect to see on Soundfly.
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Kaija Saariaho does not mess around. She creates powerful concert music and opera which often combines acoustic instrumentation and electronics to express her textural, spectral inspired compositions. Having spent her formative years studying in Helsinki, Saariaho’s earlier output was set within the strict confines of serialism, only moving to a spectral approach following a period of research at IRCAM. Saariaho’s complex, highly polyphonic, and richly textured music has been admired and recognized throughout the music community for many years, achieving some of the highest possible accolades including a Grammy Award for Best Opera in 2011, a Polar Music Prize in 2013 and most recently a BBVA Foundation Frontiers of Knowledge Award in Contemporary Music.
Andrea: Maria was an excellent student and she worked so hard during the course. She asked tons of great questions on our calls and was a pleasure to work with. Probably one of the best sessions for me so far!
Unfortunately, Jameson is probably now better known as the Russian President on three seasons of the TV show 24 than as “the dude who shredded on ‘Slow Ride.’”
A mere mortal bass player might have connected the V chord to the VI- by playing the note in between the roots of each. But Paul McCartney starts the sequence two beats early, playing the root of the V and going down a half step before his three-note climb, resulting in a five-note run that fills out the entire gap in the vocals. Of course, little did I know at the time that this famous mop-top had gone on to be one of the most influential bass players ever.
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