“Mia”: Huh… so the new Top 5-ers these last few weeks have had tempos of 96, 98, and now 97 BPM. Is this divine synchronicity or just dumb chance? You decide. And we’ve got a couple of slight variations here: the occasional♭VII chord showing up in the loop, different verse lengths. There may be more variations as far as lyrics are concerned, but alas, I don’t speak Spanish.
When you’ve got something to offer (a big ol’ crowd filled with fans, friends and family, or a new release under your belt), local venues are sure to take notice. By keeping the needs, expectations, and limitations of the venues and promoters you reach out to, you’ll have the best chance of getting booked.
Ian is a pianist, entrepreneur and professional musician. He started Soundfly to help people really find what gets them most excited musically and pursue it. He’s toured all over the world with his experimental trio Sontag Shogun. Check out his most recent course Building Blocks of Piano or follow him on Twitter at @ianrtemple.
Finally, use an aux send to create a parallel compression chain for the vocal. Use extremely fast attack and release times, super-aggressive ratios, and excessive amounts of compression to create a pumping, slamming performance that’s full of energy. Then, gently blend in the results with the original. A common trick is to use an 1176 in “British Mode” or “all-buttons-in,” as it adds a colorful distortion that helps vocals cut through the mix.