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The piece is constructed as a linear entity, with an introduction and conclusion that share the use of natural harmonics in the piano. The keys two octaves below the notes in Bar 3 are pressed but only sound out by sympathetic resonance, after the sforzatissimo in the upper part (0:13 into the video). Ligeti uses sub-harmonics in the first part and both lower and upper harmonics at the end of the piece.
This is a huge component of the RE-201’s unique sound. This was probably the biggest innovation that the Space Echo brought to the table, however its longer tape loop was also revolutionary.
This is one of my favorite tucked-away towns in the country. After stopping here on my way between Seattle and Vancouver, it’s easy to see why this would be a must-stop for touring musicians of all kinds. Although you might think its quaintness works against it, small-town Washington state has long harbored thriving bastions of DIY creativity since the 1970s. With a few local independent labels and a local music publication called What’s Up! Magazine, this tiny town is worth visiting, to make some great connections and play for an awesome crowd! Bonus trivia: It’s where Death Cab for Cutie originated from.