Note how Ligeti starts from a very low register, at a very quiet dynamic (pianissimo) and with staccato articulation (0:24). The pedal in the left hand forms gradually from a fragmented rhythm until it unfolds in a continuous stream of staccato eighth notes (0:42). Superimposed on this low A pedal is a rhythmic motif in the right hand (0:46). Ligeti shows here great mastery in rhythmic variation. This rhythmic fragment is created by accumulation and extension of a first cell which is elongated and then further fragmented in this fashion.
His yodeling obsession was accompanied by a love of obscure stringed instruments like the zither and hammered dulcimer, both of which he taught himself as a child. In his teens, Ischi taught himself to yodel by listening to Franzl Lang records and imitating what he heard. In case you aren’t familiar, Lang is one of yodeling’s most revered figures and is widely known as the “Yodel King.”
Did you know Boulder is home to not one, not two, but three classical music orchestras, and hosts America’s most well-known classical musical festival, the Colorado Music Festival? Even if you’re a more Rock than Philharmonic, Boulder still has a scene for you.
In August 2018, my partner Ken and I left the (expensive) San Francisco Bay Area to live in an RV and tour the country. We book all the shows ourselves and we’ve played to crowds of two and crowds of 200. We’ve gone three weeks straight playing shows every night, and we’ve had RV breakdowns.
And if you’re as spellbound by those infectious grooves as we are, check out Soundfly’s conversation with Dan Freeman on the beat-making techniques of Quincy Jones here.
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Another common issue is sibilance — or excessive “s,” “t,” and “z” sounds — often exacerbated by cheap condenser microphones. Sometimes this issue can be solved using an equalizer to remove the offensive frequencies in the 5-10 kHz range, but this approach often leaves the vocal sounding dull and flat. A much more effective solution is to use a de-esser to attenuate the specific frequencies causing the sibilance. This way, the frequency is only attenuated when it becomes excessive, leaving the vocal sounding bright and clear the rest of the time.