This is another simple, yet effective music video with a strong visual aesthetic to create lasting resonance. Here, the directors make use of distinctive colors, body art, and semi-raw footage to alter Gotye’s physical presence throughout the story. The continual changing of Gotye’s body represents the shifting of emotional qualities when recounting a painful breakup.
The riff itself starts out on the root, jumps up to the octave and walks down a full step, and then a half step before dropping back down to the root and beginning a walk back up. Layer that with some aggressive cello triplets, and a soaring electro-theremin riff, and you’ve got the backbone of what Brian Wilson called a “pocket symphony.”
So if we play the C major scale, but begin on the note D, we alter the sequence of whole and half steps. The displacement of the intervals creates a different tonality. In the key of C major, this will give us the D Dorian mode, which, as you can see, is constructed on the 2nd scale degree of the standard major scale.
Sitting up in your chair, hold the djembe between your legs, angled behind them and underneath your chair. Your hands should be held out flat, parallel to the ground, with thumbs angled up to the ceiling a bit so they’re elevated from the rest of your hand.